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When you’re out and about in Nottinghamshire, keep an eye out for distinctive patterns of brickwork that can occur on historic buildings. It’s easy to spot different types of bond brickwork once you know how!

Bond brickwork was popular in Georgian architecture, but the use of these brick patterns is not restricted to this era. It often involves alternating the laying of header and stretcher bricks to form a pattern on the building’s façade. In more simple terms, some bricks are laid out lengthwise, so the long side of the brick is visible (stretchers), and others are laid out with their shorter ends exposed (headers) to produce a visible pattern in the building’s brickwork.

Sometimes treated bricks, ones that have been glazed or burnt to change the appearance/colour, are used to emphasise the pattern.

Above: Faces of a brick. By Mtpanchal - Own work, CC BY-SA 4.0.

There are many different styles of bond brickwork but  you may notice that some styles are more common than others in the area. Sadly some buildings sporting these beautiful brickwork patterns will have been demolished or altered over time. 

Here are some of the bonds you might be able to spot on some Nottinghamshire buildings:

1. Flemish Bonds: This style uses alternating header and stretcher bricks within the same courses (rows). Despite the name, this style is not Flemish in origin and examples can be found in England from around the 17th century. This bond is difficult pattern to lay and often requires a high skill to lay it well as all the joints must be aligned perfectly.

Examples of Flemish bonds: Cotton Mill Cottage in Farnsfield, Farm Buildings at Lilac Farmhouse in Laxton, and Moors Farm in Askham.

Above: Flemish bond wall (headers are dark brown). By Jonathan Riley - Own work, CC BY-SA 3.0

2. English Bonds: This style has alternating courses of headers and stretchers. This is one of the strongest types of bond, but to achieve this pattern, more bricks are required than for some other bond patterns.

Examples of English bonds: Bridge over the Nottingham Canal in Awsworth, Bunny School House in Bunny, and the Manor House in Walkeringham.

Above: English bond wall. By Jonathan Riley - Own work, CC BY-SA 3.0.

3. English Garden Wall Bond: This style is similar to the English bond pattern, but instead of one course of headers and one course of stretchers, the English Garden Wall bond style features multiple courses of stretcher bricks (commonly three courses) and one course of header bricks in a sequence.

Examples of English Garden Wall bond: Farm Buildings at Home Farm in Beckingham, 5-7 Main Street in Linby, and Threshing Barn at Yew Tree Farm in North Leverton.

Above: A raking English Garden Wall bond wall. By Jonathan Riley - Own work, CC BY-SA 3.0.

4. Header Bond: One of the simpler types of brickwork, this style consists entirely of headers across all courses. Due to its simple structure, it’s an easy pattern to lay that doesn’t always require a skilled brick layer.

Example of Header bond: Farndon Mill in Farndon.

Above: Header wall. By Jonathan Riley - Own work, CC BY-SA 3.0.

5. Stretcher bond: Similarly, stretcher bonds are courses made up of entirely stretcher side bricks. This style is generally considered relatively weak and often requires structural support to retain the integrity of the wall.

Example of Stretcher bond: Rose Cottage in Farnsfield and Beech Cottage in Barnby in the Willow. 

Above: Stretcher wall. By Jonathan Riley - Own work, CC BY-SA 3.0.

This wonderful article was first published in our Summer 1998 Heritage Newsletter:

We owe much to the Ancient Greeks and the Romans, even in Nottinghamshire (the Greeks they didn’t get a far as Britain in their conquering days – too cold for their sunny dispositions). But did you know, for example, that we owe them for the columns that adorn many buildings around us?

The Greeks originally used columns to make their public buildings more majestic such as their temples and government offices. How many of us have seen pictures of the glamorous Parthenon in Athens? It can be said that the Ancient Greeks refined the systems of the orders originally begun by the Egyptians and arrived at works of architecture of rare beauty.

What constitutes an order? It’s the entire column, consisting of the base, the shaft, and the capital, plus the entablature above, meaning the areas above the column including the frieze. Each order is slightly different. Please remember, these are Greek orders, and are different again from the Roman orders, as the Romans later copied the Greek ideas.

The simplest of columns is the Doric order. This order has no base and the column shaft as placed immediately on the top step of the building. It has a fluted shaft, tapering towards the top, with a simply curved capital under a square block. The frieze has divisions, known as triglyphs and metopes, one often decorated with sculpture.

The Ionic order is further enriched with sculpture. The capitals are the most recognisable features, ornamented with four spiral projections (known as volutes or ears), arranged to exhibit a flat face on the two opposite sides of the capital. The entablature is either left plain or decorated with a continuous sculptured frieze.

The Corinthian order was the most decorated, the capital being ornamented in a variety of ways, usually with figures or foliage plus similar volutes to the Ionic order.

And why are these so important to English architecture? In the late eighteenth century, travel to Greece and Rome became fashionable and a deep interest in the ancient forms of architecture arose. This was also influenced by archaeological discoveries at this time, such as at Pompeii, and by the removal of the Elgin Marbles from Athens to London, where the noble simplicity and serene grandeur was admired and therefore copied. The resulting form of architecture is known as the neo-classical style.

Above: Doric orders on the Roman style seat alcove at the Roman Temple Garden, Clumber Park, Worksop

Look out in the towns of Nottinghamshire, for examples of the Classical orders, both Greek and Roman, the difference mainly being that Roman orders tend not to have fluted columns. What is the most popular order that you can see?

Today is the International Day for Monument and Sites. To celebrate, we would love to highlight some of the Scheduled Monuments we have across Nottinghamshire.

Scheduled Monuments are protected sites of national significance. Protected under various legislation, these monuments are usually buildings or archaeological sites.

‘Although archaeology and important historic sites are all around us, monuments are added to the Schedule if the Secretary of State considers that they are of national importance and that the protection which comes with scheduling would assist the monument's conservation’ (Historic England).

The list of Scheduled Monuments, known as the National Heritage List for England (or NHLE) is maintained by Historic England and you can find it here.

Above: Mattersey Priory

Ashfield: Fishponds 170m south of Damstead Farm. Fishponds, used from the medieval period to breed and cultivate fish, were maintained by a water management system. They were predominantly built by the wealthier echelons of medieval society, with royal estates and monastic sites often hosting large ponds. While the use of fishponds seems to have decreased after the Dissolution of the Monasteries in the first half of the 16th century, the use of these fishponds continued into the 17th century in some areas of the country. This particular monument in Annesley, may be from the 18th century but it could also be earlier in date. It was scheduled as this site provides a well-preserved example of medieval fishponds as well as being unusual in size and how the water management system worked.

Bassetlaw: Bowl barrow, 240m SSE of Woodend Farm. The round barrow at Norton, Cuckney, is of a Bronze Age date. These prehistoric monuments are usually created as earthen or rubble mounds, occasionally with a ditch inclusion, to cover one of more burials. There are roughly 10,000 bowl barrows recorded across England with regional variations in form, however many more likely having been destroyed over time. Despite the area of the barrow at Cuckney being subjected to ploughing, it still remains relatively well-preserved and retains valuable archaeological insights into Bronze Age life.

Bassetlaw: Mattersey Priory Gilbertine Monastery. Founded in the late 12th century, the ruins of this monastery are still present on the site thanks to restoration work in the 20th century. In fact, the monastery is open to the public thanks for English Heritage so if you are looking for an outdoor activity this Easter weekend, we’d definitely recommend a visit (English Heritage)! The monastery was intended for Gilbertine monks, an order which was mainly based in Lincolnshire, but some were spread further afield. As only 29 Gilbertine houses were founded, this rare type of monastery is deemed worthy of being a Scheduled Monument.

Broxtowe: Anglian high cross in the churchyard of St Helen’s Church. This pre-Norman cross in Stapleford is a significant monument for Nottinghamshire. Dated to around 1050 AD, it is a highly decorated stone piece with many references to St Luke, with parts which may have been re-carved within the Anglo-Scandinavian period. These crosses provide valuable insights into early medieval art styles and how they evolved during the period, as well as reflecting on the impact of Scandinavian settlers had on the local culture. Sadly, there are less than 50 of these amazing crosses left in England which makes protecting this one even more important.

Gedling: Bestwood Colliery engine house. This Victorian, 3 storey, winding engine house was built for the Bestwood Iron and Coal company in 1874. This monument helps to provide insight into the technical working of these 19th century winding engines which were important components for many mines at this time. The engine within the engine house is a vertical twin cylinder, non-condensing steam winding engine – an engine that is particularly rare, especially one in situ.

Mansfield: King’s Mill Viaduct. The viaduct, made of sandstone, is part of the original horse-drawn railway from Mansfield Pinsetown. Built in the first half of the 19th century, sadly the viaduct isn’t as used or cared after as it once was so protecting this piece of history is very important.

Newark and Sherwood: Crococalana Roman town. One of the most impressive and valuable sites in Nottinghamshire for the Roman period, Crococalana boasts a fantastic array of finds and building foundations. The town is assumed to have spanned 40 acres but now, no buildings or earthworks are visible in the landscape to show it exists.

Newark and Sherwood: Queen’s Sconce. During the English Civil War (1642-52), earthworks were built up to provide temporary protection for soldiers during military campaigns, or to act as gun emplacements. The series of substantial earthworks known as the Queen’s Sconce are still well-preserved and represents ‘England’s finest remaining example of Civil War military engineering’ (Historic England). It is also believed that this monument contains unusual defensive features like pitfalls which may have been extremely rare according to contemporary sources.

Rushcliffe: St Wilfrid’s Church and churchyard. It is not known when this church in Kinoulton was built but it is recorded that this church was demolished in 1793. A source from the 12th century notes the church of St Wilfrid in Kinoulton so it was certainly existing by the 1100s. The church ruins now lie as earthworks, and buried and standing remains – the area of the church top capped with a series of gravestones. Like most Scheduled Monuments, the remaining ruins of the church are still well-preserved under the ground and can still provide valuable insight into ecclesiastical architecture, nature and use of the church. As well as that, the site allows us to gain a better understanding of economic and religious aspects of local life during the early medieval and medieval periods.

NHLE records for the monuments above:

Fishponds 170m south of Damstead Farm, Annesley - 1018119 | Historic England

Bowl barrow, 240m SSE of Woodend Farm, Norton, Cuckney, Holbeck and Welbeck - 1006388 | Historic England

Mattersey Priory Gilbertine monastery: monastic precinct., Mattersey - 1012495 | Historic England

Anglian high cross in the churchyard of St Helen's Church, Stapleford - 1012870 | Historic England

Bestwood Colliery engine house, Bestwood Village - 1017653 | Historic England

King's Mill viaduct, Non Civil Parish - 1006374 | Historic England

Crococalana Roman town, Collingham - 1003479 | Historic England

Queen's Sconce, Newark - 1016150 | Historic England

St Wilfrid's Church and churchyard, Kinoulton - 1019493 | Historic England

This interesting piece comes form our Summer 1999 Heritage newsletter:

The year 1649 saw the trial and execution of Charles I, a monarch who had strong connections with Nottinghamshire during the English Civil War, especially Newark and Southwell. Centuries later, the start of the 21st century saw the climax of the anniversary celebration of events across the whole of the country, for groups involved in Civil War re-enactment – people who in their thousands recreate the life and battles of the 17th century. Events began in 1992, with the raising of the King’s Standard at Nottingham Castle, and the people of Nottingham continued to participate in events just as they did in the actual conflict, following in their ancestors’ footsteps!

Many people may have heard of Lucy Hutchinson, who wrote a famous set of memoirs describing the life of her husband John. John Hutchinson was the governor of Nottingham Castle, which was held by the Parliamentarians during the war. But as his portrait shows, he looked a long way from the stereotypical Roundhead! John Hutchinson, who lived in Owthorpe before the war, took control of the city at the start of the war and became Governor in the summer of 1643. He was also given charge of a regiment of foot soldiers. 3 companies of ‘Nottingham’ infantry took part in the Second siege of Newark, and these were probably soldiers from Hutchinson’s own regiment, based at Nottingham Castle.

Hutchinson was also present in 1646, when Newark – the last major Royalist garrison in the region – surrendered to the Scots in May. The Royalist governor at the time was Sir John Belasyse. His own personal regiment, again of foot, also took part in the summer of 1642, again from Nottinghamshire men, and also by soldiers from Yorkshire. It was part of the ‘Oxford Army’, the main Royalist field army, and fought in many of the major engagements of the First civil war, up to Naseby, in Northamptonshire, in 1645.

In various major re-enactment societies today, both these regiments still exist, Hutchinson’s being in the historically correct ‘Northern Association’ – echoing a group of counties that were brigaded together in Parliamentarian organisation over 375 years ago. Belasyse’s also exist, wearing all-blue uniforms that we know were worn by the ‘Oxford Army’, and carrying the colours that research has shown as being most likely those carried by their forbearers.

Maybe today, within these recreated regiments, there exists people who are the descendants of the soldiers of Nottinghamshire, who fought for different reasons beneath different flags, over 375 years ago!

This great article comes from our Spring 2000 Heritage newsletter:

Many of you will remember the days when going to the cinema meant a trip to the local ‘fleapit’. These were often large, impressive looking buildings that could accommodate a large section of the local community in one go. Some have been converted into bingo halls or warehouses and a few still retain their original interior decoration. The most fabulous and complete examples have been protected as listed buildings for some time now.

The cinema industry began in the 1890’s when the first shows were put on in small music halls and travelling fairs. The early films were made from highly combustible material and fires were a regular hazard. It wasn’t until the 1909 Cinematograph Act that the first ‘safe’ purpose-built buildings were constructed. By 1914, there were already some 3,500 cinemas across Britain. The ‘showman’s booth’ design was most common, with elaborate frontages behind which there would be a hall with a barrel-vaulted ceiling, panelled walls and, in more elaborate cases, a rear balcony. Names like ‘Electric’, ‘Picture Palace’, and ‘Imperial’ were typical, while the name ‘Coronation’ indicated a 1911 opening date. The Picture Palace, Long Row in Nottingham is a good example, dating to 1912, with its ornate front, decorated with marble and tile.

Following the First World War, a second generation of new larger venues were built. The Elite on Upper Parliament Street in Nottingham had an auditorium which could seat 1,500 people when it opened in 1921. Meanwhile in America, cinemas were even larger, incorporating the ‘splayed’ auditorium layout, and in 1927 the era of the ‘talkies’ was ushered in by the film ‘The Jazz Singer’. This was a time of rapid technological development and big business deals that produced the international chains like the ‘Empires’, and the British ‘Gaumonts’ and ‘Odeons’. Other Nottinghamshire cinemas from the 1920’s include the Majestic in Retford.

By the middle of the 1930’s and following the Second World War, the ‘Modern’ style came to be the one favoured by British cinema architects. Although essentially ‘international’ in style, regional variations are still visible, the Capitol in Radford is said to have Germanic influences, while the Regent in Kirkby has a softer ‘arts and crafts’ feel to it.

English Heritage have previously looked at cinemas that might be worthy of listing. They focused on pre-WWII cinemas or ones built before 1960 that have remained unaltered. Only the best examples of the nation’s cinemas were listed; for the rest, acknowledgement of their local important was more appropriate.

We already know about many of the old cinemas of the county. Here are some examples:

The Byron, Hucknall

The Regent, Kirkby

The Majestic, Retford

The Capitol, Elite and Picture Palace, Nottingham

Stanford Hall Cinema

The Strand, Market Warsop